Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.  Related Paintings of VELAZQUEZ, Diego Rodriguez de Silva y :. | Filipu | Basite and him playmate | Self Portrait set | Filipu | Equestrian Portrait of Philip IV kjugh |
Related Artists:
HEUSSEN, Claes van
Dutch painter , b. 1599, Haarlem, d. after 1631, Haarlem
Joseph Wright
1734-1797 British Joseph Wright Gallery English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794
Helene Schjerfbeck
Finnish Painter, 1862-1946 .Finnish painter. In 1873 she began to study at the Finnish Art Society drawing school in Helsinki. On the death of her father in 1876, she was forced to seek help to finance her studies. In 1877 she went to the private academy of Adolf von Becker (1831-1909) in Helsinki, and her work was first shown in public in 1879. In the autumn of 1880 she went to Paris to study at the Academie Trelat de Vigne under Leon Bonnat and Jean-Leon Gereme and in 1881 moved to the Academie Colarossi, studying under Gustave Courtois ( fl 1852-1908) and Raphael Collin (1850-1916). In Brittany that summer, she painted a large oil, A Boy Feeding his Little Sister